
Sunday, 10 October 2010
Saturday, 28 August 2010
Albert Einstein Bizottság - Szerelem
http://www.youtube.com/watch?v=e7BKnVbWKGQ
szerelem (i) love you
minek (?) what for
(i don't understand)
1980s hungarian underground
szerelem (i) love you
minek (?) what for
(i don't understand)
1980s hungarian underground
Monday, 23 August 2010
Review of: Les Ballets C de la B / Alain Platel & Frank van Laecke: Gardenia // at: Tanztage Berlin
Most people in the audience look like they know what they look like, they know. The principles of conversational cooperation apply to formalised theatre & everyone is willing to stand up for a minute of silence. Everyone is willing to be silent (more/less) throughout anyway. The audiences cooperate (aud§coop), though some people will leave. Bodies without determinable gender keep changing clothes. All the clothes are very expensive, the production must have had a lot of money. Glittery substances change body and facial shapes. You look like a woman, man woman. It is a show parodying a show, so it still is a show !=! this equates everyone's stillness. This constant ja ja ja und nein nein nein in the background sound is the only thing that is not vain. No one is allowed to be sadly ridiculous / ridiculously sad that is what is missing, exactly! Sadly, no one is §§: no one is no longer allowed to tell each other of [ugly] and [ ] in one way or more or less, to be honest, so instead of ?what? we accept each other's claims for beauty and achievement and potential. All is not well, no, everyone knows that, but all will be well, everyone knows that for almost-sure, too. Minds sponsored by / and now, after the break that has passed they will all pass for sure, a crude point: Just Do It, or Yes You Can or was it Yes We Can & (line learning is not a strength but there must be others, potentially) & never mind in this case both YOU and WE are inclusive while as a more generally observable tendency WE tends to be a more exclusive pronoun than YOU. Supercreative core = What unites people, but what unites people? This idea that everyone is different but the same and essentially
(it was desolating // post)
Thursday, 29 July 2010
a theatre piece infiveminutes on the radio why the radio? someone asked
here's the link to the piece recorded for Deutsche Welle last week:
lisa and lucy
Monday, 12 July 2010
a theatre piece infiveminutes on the radio why the radio? someone asked
unintelligible demystifying play[?] to last five minutes. neither very theatrical, nor audible, nor particularly important. certainly idealistic though. and quick. too quick some might say.
(blurb)
consent to be told something without being accorded equal right to reply, is the same as consenting to be told something about being accorded equal right to reply.
(last sentence)
(blurb)
consent to be told something without being accorded equal right to reply, is the same as consenting to be told something about being accorded equal right to reply.
(last sentence)
a play(?) for deutsche welle,
more information to follow.
more information to follow.
Friday, 21 May 2010
telecommunication
' W i t h o u t A r t i c l e ' 'Time does violence to us; it is the only violence' - Simone Weil: 'Affliction' in Gravity & Grace 20 minutes duration, performed by Jeremy Hardingham in Cambridge, and Lucy Beynon and Lisa Jeschke live on the phone in Berlin. Using among other materials, Valerie Solana's S.C.U.M. Manifesto (entire text here: http://gos.sbc.edu/s/solanas.html) ~ As part of the CRASSH Conference: Pain in Performance and 'Moving Beauty' ~ Friday 21 May 6pm Robinson College Chapel, Grange Road, Cambridge & ~ as part of Considering Performance: Cambridge American Studies Symposium 2010 ~ 1.15pm Queens' Building, Emmanuel College, Regent Street, Cambridge.
Saturday, 15 May 2010
YOU ARE INVITED TO: oh oh oh oh oh oh oh oh oh - SPANDAUER STR. 2 - MAY 20TH

oh oh oh oh oh oh oh oh oh
performance/installation/photography/music/painting/video/drink
from 8pm at spandauer str. 2 (just off alex)
------------------------------
featuring performance and music from:
ROBERTO FARINACCI & VALENTINA CARDINALI
LISA JESCHKE & LUCY BEYNON*
NAOKI ITO
INA RICHTER
MARGARETE HUBER
JACKIE
installation and video work from
KRISTIN FLADE
MARJORIE BRUNET PLAZA
ADELI NE MEILLIEZ
KRZYSZTOF HONOWSKI
MAXENCE LAVIEVILLE
miscellaneous others include:
NICOLAI REHER
CHRISTOPHER WILLIAMS
LISA BRITTON
BETTINA ANDRIANANTOANDRO
DARIO BUELOW
MEGAN CURRY
* john hurts [from idiot] at 10pm
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